Looks worth keeping.

Bleach-bypass with cool, deep greens and pale blue skies — a contemporary drama-series mood. Clean (no grain) so the contrast does the work.

A soft, reliable Portra-style color recipe for daylight and skin. Reach for it when you just want flattering, true-to-life frames without thinking about it.

A calm, true-color Provia for medium-format landscapes and interiors. Open highlights and gentle grain keep those big files smooth and natural.

A symmetric, storybook palette — warm, low-contrast and slightly unreal. Leans on a cool Kelvin and strong red shift for that flat pastel wash.

Pushed-film mood for low light and evenings — heavier grain, cooler whites, deeper color. Lovely for bars, markets and city nights.

Soft, flattering Astia color with extra clarity for portraits and still life. Made to use the GFX's resolution without ever looking harsh.

A Kodachrome-leaning Classic Chrome for warm, contrasty daylight color. Strong grain and a daylight base give it that slide-film snap.

Sunny, golden, and a little punchy — the boxed-film look for afternoons and warm light. Sharpened down so it stays gentle.

A high-key Acros+G black-and-white with open shadows and big grain. Quiet, silvery and architectural — good for stone, sky and skin.

Faded, gritty bleach-bypass color with a green-leaning daylight cast. A strong base for moody, lived-in street and portrait work.

High-key and saturated for bright days at the coast or in the city. Pulls the blues hard for clean skies and bold color.

A vivid, ultra-saturated Velvia-style recipe for bold medium-format color — flowers, neon, autumn. A cool daylight base keeps the reds from going orange.

A cleaner, brighter Classic Chrome with lifted shadows and rich color. For when you want chrome character but a more modern, crisp finish.

Low-saturation Classic Neg with a warm, rusty daylight cast and heavy grain. Made for autumn, old towns and travel days.

Classic Neg with the texture turned up — soft, grainy and a touch melancholy. Made for overcast streets and quiet documentary frames.

Fuji's own Nostalgic Negative starting point on medium format — warm, amber-biased, lightly desaturated. The 70s-album-cover look, in huge files.

An everyday drugstore-film look — warm highlights, slightly faded color, easy on the eye. A great walk-around recipe for the older bodies.

Muted, slightly cool Classic Negative for everyday color with restraint. Big red/blue shift keeps it nostalgic without going sepia.

A Leica-Monochrom-style mono+green look: deep, clean, high-detail. Cool Kelvin and a strong red shift give it that digital-silver bite.

Bright, saturated Velvia for slow weekend color — gardens, food, markets. Punchy but kept from clipping with a gentle highlight pull.

This is a very First Test recipe for me… it is a coolio Töterin